Mr. Bungle

okidey, thanks Adam

what option do I have in this case to get rid of it?

Hi guys, I'm still on TEW2016, I've got 3 developmental territories and I'd like to close one down. How do I do this?

Anyone have something for me on this? Also, is there a way, in the editor, to delay the physical decline of wrestlers?

Thanks, I'm going to take a chance and sign Bret Next question: I see a lot more opportunity in cancelling my face/heel divide. It just gives me a lot more guess options and top matches. Does anyone have any experience in scrapping it in a US company and the effect it will have on pop, etc.?

<p>So, Bret Hart was caught in a scandal and the WWF fired him.</p><p> However, he wouldn't even talk to me because I was at cult level.</p><p> </p><p> Now I've risen to National, and he'll negotiate :-) </p><p> However, I get a warning saying he's toxic and he might cost me sponsors possibly income.</p><p> </p><p> How much damage can he do to me, does anybody have experience with this situation?</p>

So I'm doing some shows in Japan with my US company. I'm using only my Japanese wrestlers that are more over in Japan than in the US and, as suggested, have adjusted their pushes to their overness in Japan and not the US. It works pretty good for most, however some wrestlers are receiving pushes that are less than their US pushes would be (rookies just starting out) and they complain... Is this going to keep working? Also, I want to do a Japan brand with their own TV-show (A-show), has anyone pulled this off yet?

It does actually, I constantly do this to lower midcarders until they've got a minor positive momentum going and I start jobbing them out again. (just so I don't get the poor/negative momentum penalty)

So I found out that offering a parent company relationship will always be rejected, but a takeover attempt and then turning the other company into a development territory will work. (maybe a little bug there Adam?) Anyway, I want to take my US company to Japan for some shows. Now, are my lower midcard Japanese workers (that are super over in Japan) going to be considered just that or are they going to be judged on their pop (being upper midcarders/main eventers) In other words, will my show bomb or succeed if I use them as main eventers?

Has anyone been able to succesfully enter into a Parent Company relationship with another company? No matter how much debt they have, they always reject my proposal...

Is it safe to say that the higher the show grade, the higher the pop gain in the region?

So, I'm building popularity in the US and Canada, I have an A-tv show and a B-tv show, both transmitted in US and Canada. However I want to start building up pop in Europe (incl. UK), and I'm thinking of holding shows there that are not on tv, just to build up pop in the UK without it affecting my pop in the US and Canada. Using 1 main eventer who's got good pop over there (Roddy Piper), he's in time decline however. I want to do this until I get a tv contract from a local station there. Is this a good way to go about it, or is this going cause my wrestlers to be extremely tired and cost me my shows and ppv performances?

That is probably exactly it! I didn't know that would clash (still learning the game, apparently) I did set tainted win and a DQ finish as road agent notes. I believe the bubble-help (text that explains when hovering over the options) mentions a DQ-finish in the tainted win column not so much in the cheap win column...

So, I had a title match end in a DQ-win for the challenger. Now, in other saved games this never caused the title to change hands, as it should be right. This time, however, I discovered that it did! Did I miss something when starting a new game? Is there an option that needs to be set for this, I can't for the life of me remember...

Thanks for the tips. In the end I televised and rewrote my main events to get the show grades up a bit. I lost pop in my home region, but my A-tv show compensates that every week and then my ppv-event on top of that.