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Sternum

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About Sternum

  • Birthday 08/26/1977

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  1. <p>Playing as Jerry Eisen, my SWF game was rocking. I built up an incredible roster of the world's finest talent. The main event matches were drawing ratings in the high 90s and we were pulling in millions of dollars per month. We had developmental territories in Rhode Island, Tokyo, and England with an eye on building the next generation of global stars.</p><p> </p><p> Then I forgot about my owner goal to keep Paul Huntingdon hot. Despite the fact that Master of Puppets 2018 pulled in a rating of 99 and our main event storylines were all hot as hell, having Captain Atomic go over Huntingdon in the co-main event spelled my end as booker and apparently as lead announcer as well.</p><p> </p><p> I can only assume that Eric Eisen was manipulating my fate behind the scenes after I denied him a run at Joey Morgan's World Championship.</p><p> </p><p> Now I have no job and no prospects. I'm tempted to either start a new company or edit my way into booking TCW to get some revenge on SWF for turning their back on me.</p>
  2. <p>I accidentally set up a weekly PPV while trying to create a weekly TV show. The broadcaster won't let me cancel the contract, and I can't seem to find a place to fix this in the editor. Any way to fix this?</p><p> </p><p> Thanks!</p>
  3. <p>In the summer of 2017 in my SWF game, I bought out Black Canvas Grappling and turned it into a development territory. I was flush with cash, and it seemed like a means to break into the Japanese market. Now that I have it, though, I'm not sure what to do with it.</p><p> </p><p> SWF is currently national, so I can't hire any Japanese workers. I'm assuming that I can hire US workers and send them to Japan to get some entry-level overness there, though. This will give me a little bump whenever I try to bring my main brand shows over the Pacific, right?</p><p> </p><p> That said, what kind of workers should I send there, and who should be my flagship signings?</p>
  4. <p>Morgan's a great hand, but his attitude has been the bane of my SWF game. After two or three backstage incidents, he's furious and has demanded his release on two occasions. I've given him a month off and several bonuses, but I still can't seem to get him happy. </p><p> </p><p> I was grooming him to take the Championship off of the Crippler at the Supreme Challenge, but I may need to cut my losses and find someone with less of a temper.</p>
  5. I'm not quite convinced. "The New Day" gimmick, for example, is just a collection of African American stereotypes that seems designed to fall flat. Hideo Itami's entrance video features a goofy samurai font and faux-Japanese string music. Even Becky Lynch was saddled with a lame Irish riverdance gimmick for her first few appearances. Her Dropkick Murphy-esque entrance was just slightly better. If she hadn't debuted first, I'm sure that Finn Balor would have had the same cliche Irish gimmick. As a whole, I think that wrestling needs to move away from using a worker's ethnicity or race as the basis of their gimmick and let them stand as individuals. This stuff is straight out of the 1980s.
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