gtb321

For me, I don't feel like developmental companies should be included when it comes to giving out production penalties. Their qualities will always be much higher making your shows always look worse, but equally, I don't feel like developmental are "rivals" for a independent promotion so them be included in comparisons makes little sense to me.

I've been playing the Dawn of MMA mod and I'm about 4 years into the save. However, I've got issues with the rakings of fighters in the company. I've had a guy go on a 7 fight win streak beating fighters above him in the rankings including the guy ranked 3rd and never got past being ranked 9th. Meanwhile the guy who has just become number 1 contender for a championship is 0-4 in the company and just lost to the champion in the main event when he was raked 3rd. Championship matches are becoming almost impossible to do because no moves up the rankings and the same people just remain at top. How exactly does the game calculate the rakings so I can try and get people moved up?

This may be more of a thing for the C-Verse, but I'd like to have descriptions similar to the worker biographies for events and TV shows to better understand how I should be booking them, as well as to adding some lore to the C-Verse/custom mods. For example, I'm playing as SWF, so I'd like to know why SWF Elite is no longer on air, I'd like to know what each event means, how long they've been running, what makes each show special. Just a bit more information on these shows would be great to see.

I've been looking for a angle pack mod and found one by someone I believe called Astil, but when I clicked on the link, it didn't work. Does anyone have a link to it or a link to another angle pack?

I frequently use the autobooker, and whilst I think in its current state it is very good, it often seems to book the wrong amount of matches and angles for the product. This isn't a huge issue as I usually make minor changes anyway, but it would be good to have a yellow warning to let the player before submitting the show to make it easier to spot when the amount of angles or matches isn't correct.

I frequently use the autobooker, and whilst I think in its current state it is very good, it often seems to book the wrong amount of matches and angles for the product. This isn't a huge issue as I usually make minor changes anyway, but it would be good to have a yellow warning to let the player before submitting the show to make it easier to spot when the amount of angles or matches isn't correct.

Small thing, but it would be very handy to sort absences such as rehab and injuries by time to make it much clearer as to who will be first in order to make plans for them on their return.

Small thing, but it would be very handy to sort absences such as rehab and injuries by time to make it much clearer as to who will be first in order to make plans for them on their return.

I like doing tournaments in TEW but I find using the tournaments booker in the game extremely cumbersome due to not being able to see the roster whilst in the screen. You have to look at your roster, either remember exactly what you're doing or write it down, to then book it rather than look at the roster and book. Being able to look at the roster whilst booking would save a lot of time.

For convenience, it would be great to access the storylines when on the screen where you select wrestlers for a match. It would make it a lot easier when booking and selecting storylines for the workers as you can see everyone on your roster much easier.

I don't know how feasible it be to do, but I'd like to see more random nationalities pop up through dojos when wrestlers come through. People move to different countries all the time so there is always a chance for someone to come through. For example in real life, Miro is from Bulgaria but graduated from an American academy after moving to the USA. It would be nice to this simulated in TEW

I think audibles are a great addition to the game, but I think that the audible should be a player choice, not the game. For example, when Finn Balor got injured at Summerslam in the Universal Championship match, he finished it and vacated the the next night rather than just changing the finish completely. If an injury happens, the player should decide whether to change the finish or not rather than it just happening. Also I think it would be better that if an injury does happen in a match, the player should be given more control over what to do with it. An example could be that a pop up happens where it says 'Wrestler A has suffered a minor injury 4 minutes into the match'. At that point, you should be able to choose whether to stop the match to prevent further injury or let the match play out as is. If the injury happens 4 minutes into a 25 minute match, the player may then want to book an impromptu match or angles in place of the missing match time. However, if a serious injury like a broken neck happens, the match should stop no matter what.

How to massively improve Broadcasters I previously made a post about how I felt the current way broadcasters judge shows was too specific, which I stand by, but I feel like I've got something that can solve the problem an make broadcasters feel more real and interesting.` Currently in game, you have a minimum show quality you have to hit and if you fall below it too many times, your show gets cut from a TV deal, even if prior to that your show was massively exceeding expectations. This to me doesn't make sense. If you were at home watch TV, how would you be able to tell the difference between a show that was rated 82 compared to a show rated 80? You can't. But the AI can, which to me makes little sense from a realism standpoint. Instead, I suggest it be a range rather than just number. For example, instead of a minimum show rating of 80, it would be range from 85 to 75. This is the quality of show the broadcaster expects of you meaning if you fall below, they won't be happy, but if you exceed expectations, they will be impressed. This is something missing from the game currently. Broadcasters don't care how good the shows are, they only care about bad ones. This means players won't be punished for a few bad shows, especially if they have run tonnes of great shows in the past. This is where I suggest implementing a new feature called something like Broadcaster Happiness or Broadcaster Satisfaction. Essentially it would be a horizontal line graph that goes up and down with each show. If the show falls within the range expected, confidence remains the same, if the show is bad, confidence falls and if the show exceeds expectations, confidence goes up. I think having a visual for how happy our broadcaster are with our booking is important as it gives a clear indication to player on how they are performing. Also it gives an incentive to run better shows as broadcaster confidence in you improves with higher quality shows. Secondly, I think there needs to be more broadcaster communication from the broadcaster end. If your shows are falling below the expected requirements and a broadcaster wants to cancel, they should send you a final warning email that makes their intentions clear to the player, otherwise if you lose track of warnings or come back to a save after while, you don't know when they plan to cut the deal, it's often out of the blue and never clear.

I've just lost a TV deal due to poor ratings, the broadcaster wanted an 82 and I've had a few 80s and 81s in the last few months. However, I've been with them for over a year, and prior to this rut I'm in, I was greatly exceeding expectations most shows being in the high 80s or low 90s. Yet because of a few bad shows, they instantly cut the deal. I know you get emails but I don't think it's enough. Instead of just instantly cutting, they should come to you directly after a few bad shows and ask if you want a new timeslot to lower the expected rating. If you accept, you get a slightly worse slot but keep the deal. If you decline, then they expect you to hit the expected rating or else they cut the deal. Also, I don't think one deal failing should impact negotiations for the rest of the broadcasters. The terms of each deal is different so just because one channel cuts a deal shouldn't every other channel won't negotiate.

It would be handy on the medical screen if it could be sorted by how long it'll be until the wrestlers return. Admittedly, I have a large roster with a lot of people in rehab so it looks confusing, but it would handy so you see clearer who returns first so they can be factored into plans.

I'm mid save and used the import data tool to import the free pictures, is there something I have to do after I've done that?

I've imported some free pictures in from one mod to my current game but despite it saying they've been imported, they don't appear for selection in my picture folder. I've made sure they are .gif instead of .jpeg as that's the pictures my mod uses, but they can't be selected despite it saying they've been imported. Has anyone else had this issue or am I missing something?

<p>How does the game work which companies wrestlers work for</p><p> </p><p> I'm playing a game based in India and generated a new company so the wrestlers could develop quicker. However, they chose to run a show the same day and all the workers that worked for both companies worked for them despite me paying them more, running more shows and being the bigger company. I had to cancel the show because of it. I thought the biggest company got first choice. It makes no sense.</p>

I'm planning to do a C-Verse Local To Global based in Tasmania, but I'm not sure what the best product would be for it. Something heavily based on in ring work or something based around storylines and angles? I've never really done a Local To Global so I'm not sure what would be best for me.

<p><a href="https://imgur.com/Rf9K8DS" rel="external nofollow">https://imgur.com/Rf9K8DS</a></p><p> </p><p> Dean Malenko's rise to world champion has been great to see. I don't think I'm ever going to have any rise so quickly.</p>

<blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="deadfireking2" data-cite="deadfireking2" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="53011" data-ipsquote-contentclass="forums_Topic"><div>Is 3 the limit? is there a way to run a Tv Show every day if I wanted to?<p> </p><p> Thx</p></div></blockquote><p> </p><p> I don't think you can run TV everyday, but a workaround might be to get a deal with TV companies to air your events. You can have as many events as you want, In my developmental, I have six 3 hour shows a week so workers develop quickly. That's probably going to be your best bet.</p>

1. You get past it by being a big enough company to have 3 shows, so unless you're big, large or titanic, you can't get more than 3 shows. 2. It's not really a sandbox game. You run a company and have to face the challenges that come with it and that includes dealing with broadcasters.

Is this in the Cornellverse or using a real world mod.

I have two 2 hour shows and one 1 hour B show a week. For me, I alternating between booking myself and using the autobooker. Out of 12 TV shows I run in a month, I book 4. I never book B shows.

You need to be at least large to get 3 shows.