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Sigilistic

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About Sigilistic

  • Birthday 01/01/1982

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  • Location
    San Luis Obispo, CA

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  1. Just chiming in to say thanks for the update, MHero, and please don't kill yourself trying to rush it out! We'll all still be here and ready to enjoy it when it's done.
  2. Another thing about season finales is that your roster will expect to be able to work it, and wrestlers will be irked if they get left off of it.
  3. I'll take what I can get! Looking forward to it when it comes out!
  4. I prefer a lean, agile roster to a bloated, over-crowded one. I can always hire more, but firing can be expensive and generate ill will, so I try to be very selective in my hiring.
  5. I had Aaron Andrews go into politics a day before his contract with me was to begin. It was very frustrating. Still, I enjoy the challenge that emerges when you lose a top star like that. Though a month's notice would have been appreciated.
  6. QAW World Title - Alina America © vs Emma May Ashley Grover vs Foxxy LaRue Danielle Sweetheart vs Hellcat Hernandez Raquel Alvarado & The Rage (Honey Badger & Marie Punnen) vs Storm Front (Juana Hurrican, Alexis Lee Littlefeather & Sonnaz Shah) QAW Shockwave - Little Miss Perfect © vs Modesty Pador Becca Barton & Toni Parissi vs Mariana Torres y Pinky Perez Ava Anderson & Lily Snyder vs The San Diego Girls (Coco Malloy & Izzy Quick)
  7. At what point do workers retire from injury? How low does their health stat have to go before they retire? I ask because Fuyuko Higa just came back from an Achilles tear and now her leg health is 65. Should I be concerned? Also, does having lower health affect in-ring performance?
  8. Well three years in, what a difference that time makes. Half way through 2023 now, and we're doing great! We've risen to Medium, and I managed to lock down my roster to exclusive written deals, so no more poaching. I also managed to snag Mikey Lau and Jefferson Stardust from SWF, and they've been doing big business for me ever since. I have also figured out what to do with television, FINALLY. I use TV matches to determine who gets placement on the event cards. I have a sort of bracket system that I've created, where winners remain where they are on the bracket while losers are sent to the bottom. It makes booking really quick and easy. I can do a TV show in under 5 minutes now. Likewise, my PPV events are similar. I have three title matches (Coastal Zone, Xtreme and Tag Team) and then four singles matches. The winners of those matches go on to compete for the titles at the next event, with the highest match rating facing the champion, the second highest facing the Xtreme champion and the remaining two facing the tag team champions. I basically abolished the tag team division in the process. But I'm rubbish at booking tag teams so at least this way the workers are being used.
  9. First poachings, now a retirement. I'm losing 40-year-old Melody to retirement in three months, alas. Time to make good use of her remaining time!
  10. <blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="Historian" data-cite="Historian" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="47627" data-ipsquote-contentclass="forums_Topic"><div>That's my favorite part of playing as a small company -- and I'm being serious. I love the challenge of having stars signed from me and having to figure out what I'm going to do from there.</div></blockquote><p> </p><p> Yeah, it does force you to be creative. And some wrestlers have certainly benefitted from getting a push they otherwise wouldn't have gotten, such as Hugh de Aske and the tag team of Heartbreaker and Mr. Lucha III, who until recently were largely relegated to job fodder just because there wasn't any room to push them. </p><p> </p><p> Some of it also serves me right. I signed a lot of big names (Atom Smasher, Greg Black, James Prudence) when they became available and I should have expected that the predatory hiring system wouldn't let that kind of talent stay on the indies for long.</p>
  11. I'm a year into a CZCW save, and part of the "joy" of playing an indy fed is having the top of your card mercilessly poached by SWF, CWA and TCW. So far I've lost Frankie Perez and Al Coleman from the original roster, plus Kate Lilly, Atom Smasher and Greg Black. Most frustrating of all was having James Diaz, whom I had built up from nothing to be a star, get poached by TCW.
  12. Did a restart on my QAW save. Besides signing a handful of low level workers (Reese & Wells, Black Diamond, Joy Ryder and DupliKate), I'm sticking with the main roster as it exists at game start. Ran Star Show and had a really good time with it. Commissioner Bomb is reliable for 60+ rated entertainment segments so I've been using her rather heavily.
  13. I just started a QAW game and feel pretty good about it. Still trying to wrap my head around stables, though. I always struggle to use them. I avoided doing my usual mass hiring and restricted myself to just three signings: Lilly & Rose and Electric Dreamer, all of whom seem like a great fit for the product. I always sign Dreamer because she has the Bailey factor and she moves merchandise like crazy. She'll probably be Shockwave champion before too long.
  14. Ambassador's Club is a must-sign for me. I push them hard as both a team and as solo acts.
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