Leo C

So this is something that just occurred to me while converting a 2016 database. There was some issue with Jon Moxley having exclusive and non-exclusive contracts simultaneously. Easily fixable, but it got me thinking; both his contracts are exclusive from what I understand. In America, he can only work for AEW and in Japan he can only work for NJPW. This is also the case for many other guys who work in Japan, if you're working for NJPW you can take bookings in small indies overseas, but you're not showing up in AJPW or something. I assume it's too late to add this functionality via patch at this point (and maybe it wouldn't be possible from the get-go), but I just wanted to bring it up in case it's a possibility.

<blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="Adam Ryland" data-cite="Adam Ryland" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41194" data-ipsquote-contentclass="forums_Topic"><div>It depends on multiple factors, including the length of time the company has existed, their size, the level of debt, etc. There's no simple answer to your question. You will get increasingly severe bankruptcy warnings however, so you can use them as a barometer.</div></blockquote><p> </p><p> OK, thanks.</p>

I see. So in this case, my company has been around for 6 years or so. Do you have any idea how long I could be in debt for?

For how long can I be in debt without going bankrupt? I'm thinking about buying out another company and hoping the increased popularity will make up for the money I lost fast enough for me not to go bankrupt.

Just to make sure; is the "on demand" viewership/sponsorship money correlated to your company's actual size or to the popularity? I'm Small, but I have some decent popularity scattered across the world for my size (15~30 depending on the region). Would it lower my viewership to change from late evening to on demand in my situation?

<blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="Tag01" data-cite="Tag01" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41194" data-ipsquote-contentclass="forums_Topic"><div>How do I get more out of sex appeal in angles? It seems to always give me large penalties for being mostly looks based. Should they be paired with a certain number of talkers or something?</div></blockquote><p> What are your product's T&A levels? I assume if they're None or Low that should be an issue, although if they're already High I have no idea.</p><p> </p><p> </p><blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="Unright" data-cite="Unright" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41194" data-ipsquote-contentclass="forums_Topic"><div>What's the upside to making restrictive rules like "Workers must arrive early and stay whole show"?</div></blockquote><p> I assume that lessens the chances that they show up late.</p>

So, I'm running a Small promotion, my production values are all equal to/better than my rivals, I'm normally on the winning side of Regional Wars (either #2, 3 or 4 out of 7) and all my shows are much greater than my popularity (just ran a show with a 77 rating and my fed's pop is 14 in my home region Tri State). However, I do not seem to be gaining much popularity (if any) in Tri State when I run my shows, which are broadcast in a subscription broadcaster with Very Small coverage. Is the pop gain that small that it doesn't even go up one point after 4 or 5 successful shows or am I missing something?