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phoxy

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Posts posted by phoxy

  1. How many new workers get generated with the frequency settings? I set it to very low for a month and didn’t see any new workers pop up. Are there other criteria involved with how it works?

     

    Cheers

     

    If I recall correctly, it depends to some extent how full the game world is, and can differ from region to region. And they always generate at the start of a new month, I believe. So, setting it to very low over one month isn't likely to see much happen in most databases, I would suspect. I might be mistaken, though.

  2. I have a quick question about owner goals:

     

    If the goal is not to hire any wrestlers over 40, would you fail this if you hired someone who is over 40 in a non-wrestling role? The guy in question is a wrestler and a commentator but I only want him as a commentator, but I'm thinking I'll still fail, even if the contract stipulates he can't wrestle.

     

    If you give him an exclusively out of ring contract he should be okay, I believe.

  3. Can someone explain the difference between Active Wrestler, Semi Active Wrestler, and Non Wrestler status to me? Especially as it relates to the roles section, where it can be set to Usually, Sometimes, Never.

     

    As far as I understand it:

    Active Wrestlers would be those people who are regularly doing in-ring work as their primary role, Wrestler should be set to "Usually", other roles might be "Sometimes", but probably not.

     

    Semi-active Wrestlers are those people who still get in the ring when necessary, but are generally not considered "full-time" wrestlers, usually veterans winding down their careers and the like. If they are involved in other parts of the show, they should have those roles. I'd probably go with "Occasional Wrestler" set to "Usually' for most of them, though in some cases, if they appear more in other roles like as a color commentator or personality, I'd set those to Usually instead, with Occasional Wrestler at Sometimes.

     

    Non-Wrestlers are people who are not trained in-ring performers, and whose primary role is not going to be to perform in matches. So, announcers, interviewers, referees, and so forth. This doesn't mean that they can't take bumps or be put into "matches".

     

    I think the broader categories mostly affect contract stuff (offering a contract to a non-wrestler or retired wrestler usually defaults to "Never Involve Ring Work", I think), while the roles are related to the pushes and so forth, but I don't know for sure.

  4. <blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="thesaiyangod123" data-cite="thesaiyangod123" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41191" data-ipsquote-contentclass="forums_Topic"><div><img alt="nl2YpjV.png" data-src="https://i.imgur.com/nl2YpjV.png" src="<___base_url___>/applications/core/interface/js/spacer.png" /><p> </p><p> This is one of the most weirdest Mentor/Protege Pairings that i ever seen from playing TEW. And i can only imagine this in real life <img alt=":D" data-src="//content.invisioncic.com/g322608/emoticons/biggrin.png.929299b4c121f473b0026f3d6e74d189.png" src="<___base_url___>/applications/core/interface/js/spacer.png" />:D (But this will help Hussan Microphone Skills Big Time.)</p></div></blockquote><p> </p><p> "THE WAY I SEE IT, IF YOU'RE AN AVERAGE WRESTLER, YOU GOT A 50-50 CHANCE A' MAKIN' IT. BUT IF YA LISTEN TO ME, YOU'RE GONNA HAVE A 66 AND A THIRD PERCENT CHANCE A' MAKIN' IT."</p><p> </p><p> *Agreed, I don't think Scott Steiner knows lower case letters exist.*</p>
  5. How do you think they gain spillover into other places. They've become so popular people from out of town are now driving to come to their shows. This is how you gain popularity in that region. If you gain popularity in a region because of a show - which you do every show you gain a percentage of your popularity gain in your spillover regions.

     

    Pennsylvania is in the Tri-State regions so you're popularity is 40% of your tri-state popularity in New England, The Mid Atlantic and The Great Lakes, and 20% in Ontario and Quebec. There for it means people hear about your shows in those places. They go do your shows, they like your shows, and therfor you count as being a part of the regional battle when you would reach the level for doing so there.

     

    To add to this, Ohio Resident: "I can either go to a show in Detroit or a show in Pittsburgh, they're both about the same distance, but I hear more good things about the PA show. I'll go to that one."

  6. Also, there are times when I book an angle, and it doesn't advance the storyline. Something like announcing a match between two participants, or something like that.

     

    I believe to advance a storyline, there need to be at least two participants who have major roles "on screen", so match announcements with both people off screen don't count as storyline segments. Also, I believe that there the segments have to be a certain degree above the current heat level to raise it. And I think if the heat doesn't change at all for a certain number of shows it will start decaying.

  7. <blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="nymetfan" data-cite="nymetfan" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41194" data-ipsquote-contentclass="forums_Topic"><div>If i want to add a picture to the database is there a specific size it needs to be?<p> </p><p> Im debating adding in a promotion and a couple of workers that arent in the game but im a stickler for realism. I need to hvae pictures and everything for them.</p></div></blockquote><p> </p><p> Worker pics and company logos are 150x150.</p>
  8. <blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="CMPunkBubble" data-cite="CMPunkBubble" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41194" data-ipsquote-contentclass="forums_Topic"><div>Thanks. I've pushed him to ME and my main title is middleweight and above. This guy is lightweight and can go as high as middleweight so I guess I'll just have to keep asking every month or so and hope for the best.<p> </p><p> Another question does anyone know the mechanics regarding selling and match length? My ME keep getting dinged for lack of selling. The workers I use have around c+\b- selling and the matches go for about 30/35 minutes.</p></div></blockquote><p> </p><p> I'm no expert, but I believe that may be one of the penalties that is compared to the overall match grade before the modifiers, similar to how the psychology penalty works (I think), which is, I believe, essentially the base match grade before any bonuses or penalties are applied, compared to the workers' psychology score (or in this case selling, I would guess), so my understanding is that if the overall grade of the match is higher than the selling, you'll get the "not enough selling" penalty? Unless there is specifically a penalty regarding selling that's related to match length that I'm unaware of, length should only factor in as it does with road agent notes, match aims, and the other things it works with in any given match, I think.</p>
  9. <blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="Azul" data-cite="Azul" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41194" data-ipsquote-contentclass="forums_Topic"><div><p> <strong>Never mind I figured out how to do tour highlights. When you click on "new deal for" there is an option for tour highlights. I don't see a way to select tour highlights when you edit the database, so it can be set up before you start a game. This doesn't matter to me at all, but I thought I should point it out.</strong></p></div></blockquote><p> </p><p> To make a tour highlight show in the editor, it's under broadcasting deals. I believe there's a dropdown box making the show a highlight show, which affects the level of quality (I believe it lowers the necessary level by an appreciable degree, but I could be mistaken).</p>
  10. <blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="DoubleA012" data-cite="DoubleA012" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41194" data-ipsquote-contentclass="forums_Topic"><div>Company HOF "Eligible Candidates". I am currently about a year into my real world TNA mod (with the most recent patch) and I was just checking out my HOF and I clicked the "Eligible Candidates" button and had no one. This didn't shock me, but I began looking around this website and google and couldn't seem to find an answer. I am running a yearly HOF Event where I induct someone into my HOF. Basically I will need someone to be eligible each year. I know you can just put anyone you want and at first I will do that (already added Jerry Lynn in the first year for example. He only had "3 x-title" reigns but due to his contributions to the x-division I figured it was appropriate.) I can do this for a few more years but eventually I want people to start earning it. <p> </p><p> <strong>So my question(s) is/are:</strong> What are the requirements or credentials needed for a worker to get into a promotions HOF? (Also, does size of the company affect needed requirements?). Also, If you already have a tag team inducted (Like Bully Ray and Brother Devon are in the TNA HOF), can I later add just Bully Ray as an individual if say he becomes "eligible"? Thank you in advance.</p></div></blockquote><p> I did a lot of messing around with hall of fame requirements for my personal database. I'm fairly sure that the requirements don't change based on size, as it's always company specific. You can indeed induct individuals into the hall of fame as individuals in as both individuals and part of a tag team separately. </p><p> </p><p> As to specific requirements, as I recall 4 or 5 Main Event level championships or twice as many (8-10) midcard/floating titles will make a candidate eligible. For tag teams, I think it's just 4 or 5 titles held is enough (I may be wrong, but I think each tag title held also counts towards individual titles held as well) . There's also the "headlining" of major shows (i.e. being in the main event annual shows), which grants a few percentage points towards completion. I don't think headlining gets you more than 15 or 20% of the way there, though (at 25 main events, which is the maximum you can add in the editor, I'm not sure if the game counts beyond that, or if that's the hard cap). And finally, being a figurehead for a consecutive number of years. 5+ years as figurehead guarantees induction. Of course, various combinations of these things will yield different results. </p><p> </p><p> For non-wrestlers, it's pretty much 1 for 1. Referee officiates 100 matches, Broadcasters call 100 matches, they are "key" players. Owners and bookers are based on who was the owner/booker when the company rose to Cult-size.</p><p> </p><p> I hope that helps.</p>
  11. <blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="GUINNC" data-cite="GUINNC" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41194" data-ipsquote-contentclass="forums_Topic"><div>"Added ability to import contracts via editor (accessible via the company section of the importer)" was on a recent patch. Has anyone used this yet and know exactly how it works? Do I just import the company again and the contracts go with it?</div></blockquote><p> </p><p> You need to have all the workers in the database, then import the company. As long all the people, pics, gimmicks, and move sets are all there, then the contracts are set up just the same.</p>
  12. This is more of an opinion question. Currently playing as TCW with data from the 2013 game imported into TEW 2016. I'm really liking the way TCW is progressing so far. An issue has come up involving Rocky Golden - his contract is expiring and the owner Tommy Cornell won't even let me come close to the offers other promotions are making to him. There is a huge bidding war for him going on and I'm not even in the running. Frankly the offers seem ludicrous despite the fact that he has 93 popularity in the US.

     

    My only option is to go with it and let him leave or cheat and try to edit data to make him stay. I'll probably just let him go but I was curious - do you think someone like Golden is worth 66,000 a month + 10% bonus per event in a promotion that emphasizes wrestling over popularity? It seems outlandish but at the same time I'm on a roll right now and hate the idea of losing someone so popular.

     

    Also, have you guys discovered any good ways to stop guys from jumping ship so easily? I lost Eddie Peak earlier in the year and the offers were equally ridiculous, but he was a negative influence and not as popular so I just went with it. Thanks for any advice.

     

    Honestly, 2013 Golden is worth much more to SWF and USPW than TCW. Golden is probably one of your top National Battle assets though (unless you've stacked your roster with a bunch of A-list talent), so that's bad news. Also, I wouldn't say 66,000 a month plus the 10% bonus is necessarily "easily". I mean, that's a pretty sweet deal, and difficult to pass up out of loyalty alone.

  13. <blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="LloydCross" data-cite="LloydCross" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41194" data-ipsquote-contentclass="forums_Topic"><div>Before I actually try one, I'd like to be sure of the following about Talent Trades.<p> </p><p> Does the number of appearances apply to workers I'm giving up as well as the worker I'm receiving and in what way? For example, if I am ROH and I make a talent trade with PCW in which I give up wrestler X for 6 appearances of wrestler Y, it seems obvious that wrestler Y goes back to PCW after he makes 6 appearances in ROH. But when do I get wrestler X back?</p><p> </p><p> It seems like these are the possibilities:</p><p> </p><ol style="list-style-type:decimal;"><li>Wrestler X comes back to ROH after he makes 6 appearances in PCW<br /></li><li>Wrestler X comes back to ROH after wrestler Y makes 6 appearances in ROH<br /></li><li>Wrestler X's contract is straight up owned by PCW now<br /></li></ol><p></p></div></blockquote><p> </p><p> Your worker still works for you while they are on loan. As long as your shows and the other promotion's shows don't conflict, there's no reason why they can't be booked on both shows in the same week/month/whatever.</p>
  14. <blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="cultstatus" data-cite="cultstatus" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41194" data-ipsquote-contentclass="forums_Topic"><div>Anyone know the length a wrestler is out for when they film a movie? Hogan is going away in 3 months(At the end of February) and I'm wondering is this is going to **** with my plans to do the nWo angle in July?</div></blockquote><p> </p><p> Usually close to a year, I think. So, yes.</p>
  15. <blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="ElChorizo" data-cite="ElChorizo" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41194" data-ipsquote-contentclass="forums_Topic"><div>Back when I first started, I wasn't popular enough for any broadcasters to be interested in me, so I started running a weekly event in addition to my monthly event. Now, I've also got a tv show on another day of the week. Is there any reason not to keep my weekly event running? I feel like it violates the logic of the world to have more than a few events running each month, but I don't think it breaks anything. Anyone have any thoughts on this?</div></blockquote><p> </p><p> I would think it would depend on whether or not the events are making enough to offset their additional costs, and if you think its worth it. Also, it's another weekly show to book, which can be tedious.</p>
  16. <blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="maudlin career" data-cite="maudlin career" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41193" data-ipsquote-contentclass="forums_Topic"><div>So I plan on booking and possibly writing a Diary with the intention of just covering SmackDown! Live. The goal is to book from episode one and go all the way to Wrestlemania.<p> </p><p> The problem I'm having is I need ideas on how to do this without necessarily creating two separate promotions or without dipping the quality of brands.</p><p> </p><p> Back in the EWR days, I split SmackDown and Raw into two promotions so I could just book SmackDown wrestlers and PPVs, but of course I also had to book enough for Big 4 PPVs, which meant I had to sign an entire promotion worth of workers instead of a small divided roster. </p><p> </p><p> I haven't bought TEW 2016 yet, so is there a system in place where I can book for a promotion, but only use one of their brands while AI books the other brand?</p><p> </p><p> I guess I could book both shows. One for my actual SmackDown! Live Diary and the Raw one just on its own so I can keep the shows moving forward.</p><p> </p><p> Any advice would be appreciated!</p></div></blockquote><p> </p><p> There is an autobooker in TEW2016 that will let the AI book Raw for you, yes. </p><p> </p><p> It would probably be better for you to book both shows, as the AI doesn't always book in a sensical manner or to the product necessities, which can hurt the show grades. When I use the autobooker, I usually go over the card and make it conform to the product requirements, and tweak things I don't like.</p>
  17. <blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="Romans_Brass_Shovel" data-cite="Romans_Brass_Shovel" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41194" data-ipsquote-contentclass="forums_Topic"><div>How long does simmering tension last?</div></blockquote><p> </p><p> Six months, I believe. Provided nothing happens to turn it into a strong dislike or hatred, it will go away then.</p>
  18. <blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="jjohns44" data-cite="jjohns44" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41193" data-ipsquote-contentclass="forums_Topic"><div>I have an idea for a heel stable that parodies the Black Lives Matter movement, except they take their movement to the extremes that a wrestling stable would take it. Although I don't want it to be BLM(and neither am I looking include strictly black wrestlers either) but a few underused workers(midcarders or below but with a charismatic midcarder or Upper Midcarder to be the voice of the stable) tired of being treated unfairly in the company(or being used to make popular wrestlers look better, jobbing, not getting fair title opportunities, the kinds of things that would frustrate them to the point of making a stable out of it.<p> I dunno, I feel like I have something swimming, just trying to think of a name. Hopefully incorporate words in their name that would be closely identified as a BLM parody.</p></div></blockquote><p> </p><p> Wasn't that the J.O.B. Squad, back in 1998?</p>
  19. <blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="alex6291" data-cite="alex6291" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="41194" data-ipsquote-contentclass="forums_Topic"><div>Hello, i would like to know some things with brand split. <p> </p><p> If i have, for example, a product which is rated more on popularity than performance (key feature mainstream, heavy traditional and none, low or medium for the others), and created a brand with realism, modern or even hardcore focus, is this going to change the way they are rated?</p><p> </p><p> Also, is there a real difference between major or minor brands?</p><p> Thanks.</p></div></blockquote><p> </p><p> It will count whatever focus you choose as a key feature for that brands shows, and will alter the audience expectations as such.</p><p> </p><p> The AI will never assign any main eventers to a minor brand, so they are best used with B shows, I believe.</p>
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