PGHJuice

<p>Can someone help me and explain why my pop won't rise? (Im assuming it's something to do with the economy and industry, but i'd like to be sure.)</p><p> </p><p> I'm playing as 5SSW, and the Japanese economy and wrestling industry got rocked by that Tsunami. The economy and industry are currently at 27 and rising, so this could definitely be the issue. </p><p> </p><p> I've fallen to small level, and it's been almost 9 months and I'm rapidly dropping pop. I just put on an 80 rated JoshiMania show, and my pop actually dropped a point. What am I doing wrong here?</p>

<p>Now, this is in no way disrespect, or an attack on you whatsoever, so PLEASE do not take it this way; But I have noticed a ton of well, discrepensies on a ton of workers stats. Yes, I do understand it's ALL subjective, but, there's a few I just can't understand. Case in point.. </p><p> </p><p> Sawyer fulton.... 2 time ncaa all American in college, an all American in highschool and all American honors in his Greco roman wrestling skills... mat wrestling: 33</p><p> </p><p> This is just one example, but there are a TON of guys and gals just statted incorrectly. If this is done on purpose, please ignore my post, but I would be more than willing to help stat for the USA. It seems like that's where I'm finding most of my issues. WWE and NXT in particular. </p><p> </p><p> Eva Marie has more psychology than Rusev and a handful of other male workers on the roster...</p><p> </p><p> I'd love to help with the statting if you did need it. Again, please don't take this as an attack, more like constructive criticism.</p>

http://i.imgur.com/jgEuMRz.jpg RIP, TCW

http://i.imgur.com/ceg6pJ3.jpg 3rd day of a new game, and the UK wrestling scene is changed for a year.

I had them steal Josh Taylor and Rocky golden in my last save and actually stay at national while pretty much killing tcw

http://i.imgur.com/lnqBhA8.jpg This main event makes me sad

<blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="bigtplaystew" data-cite="bigtplaystew" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="25169" data-ipsquote-contentclass="forums_Topic"><div>You know, I remember a situation where Daniel Bryan was fired for supposedly choking out Justin Roberts in an unscripted moment. WWE.com never reported it so all the smart marks ate it up and were arguing with a very familiar vitriol that it was obvious that we'd been dealing with a serious, legit backstage situation. WWE.com wasn't reporting it and the dirt sheets had "inside info" that it was a legit story. The rationale was that there was NO WAY that WWE would allow Danielson back to the indies if he still worked for them.<p> </p><p> How'd that turn out?</p><p> </p><p> Or remember the "pipe bomb"? WWE.com didn't report on it for weeks to sell the idea that Punk legitimately hijacked the microphone and spoke off script. "But he mentioned Colt Cabana! WWE would never allow him to do that on TV!"</p><p> </p><p> lol</p><p> </p><p> How'd that turn out?</p><p> </p><p> Just saying it wouldn't be the first worked shoot in Punk's career.</p></div></blockquote><p> </p><p> What? Are you even reading what you type at this point? Bryan DID get fired when that happened, wanna know why? Because he choked out a man with his tie on live, national television, when WWE clearly wasn't happy with that after the Chris Benoit incident. He was brought back once the heat died down, so it was in fact, a legit story.</p><p> </p><p> The "pipe bomb" incident was obviously a work, or they would have cut his mic off before he could even utter more than two sentences with the way he started off. Any rational person would know that they allowed him to say those things on TV for storyline purposes.</p><p> </p><p> This isn't anywhere near the same. A man was unhappy with his work environment and he quit, plain and simple. If you wanna spin it, and turn it into some "work" or "shoot", then more power to you. He's gone, he probably won't be back in the foreseeable future, and there is no one to blame but WWE themselves. </p><p> </p><p> The product their running, the people their pushing, the guys their giving the belts to, Punk saw it, didn't like it, and said screw it I'm gone. He was already on edge about not resigning his contract this Summer, but it's gotten so bad he can't even wait that long.</p><p> </p><p> I'm not sure what else you're trying to prove. The examples you used were wrong in the context you presented them. This isn't a work, man. This isn't a shoot, he's gone.</p>

<p>Anyone who thinks this is a work couldn't be anymore delusional. </p><p> </p><p> If it was a work, there would have been an article up on WWE in minutes saying that Punk was relieved or fired by the Authority, or that he left because of their shenanigans.</p><p> </p><p> This isn't a work, Punk has been fed up with the direction of this company for a long time, starting when The Rock came back and was given everything on a silver platter.</p><p> </p><p> Once Punk realized he wouldn't be main eventing Wrestlemania (Seeing as how that's the last thing he wanted to accomplish in his career) and that Batista would now get to headline after being absent from 4 years, against a man that is genuinely hated by wrestling fans, not just for storyline purposes in Randy Orton, it was time to go.</p><p> </p><p> I'm pretty sure the straw that broke the camels back was him finding out that his Wrestlemania program would probably be an opening match against Kane. I for one don't blame him for leaving, and while it's sad to see him go, he was grossly misused over the past year or so, and he deserves much better as a performer who can literally do it all.</p><p> </p><p> So all you guys with your, "It's a work" talk need a real reality check when it comes to this business.</p>

Weekend reviews! Yes!

<blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-username="Goliath764" data-cite="Goliath764" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="36553" data-ipsquote-contentclass="forums_Topic"><div>@PGHJuice<p> </p><p> Your budget is incorrect, you have 6,530,000 on talent and 500,000 on franchise upfront, that left you with 726,125 for marketing and production.</p><p> </p><p> ---------------------------------------------------------------------------------------------------------------</p></div></blockquote><p> </p><p> 300,000 for production</p><p> </p><p> 63,000 for marketing</p><p> </p><p> That should be correct</p>

<p>Title- Pineapple Express 2</p><p> Lead Actor- Seth Rogan</p><p> Secondary Lead Actor- James Franco </p><p> Supporting Actor- Bruce Willis</p><p> Supporting Actor- Zach Galifinakis</p><p> Supporting Actress- Kat Dennings</p><p> Director - David Gordon Greem</p><p> Genre- Comedy</p><p> Rating- R</p><p> Plot-Dale(Rogan) and Saul(Franco) , now living together in LA after the events of the first movie, are best buds, and the best sellers of "buds" in their county. They're living the life, happy as can be. Saul even has a hot girlfriend(Dennings) who loves him, but objects to his "work" life. Just when things look like they can't go wrong, something goes horribly wrong. A major crime boss(Bruce Willis) takes notice to the major market these guys are getting, and he demands a piece of their business. </p><p> </p><p> Of course, Dale and Saul refuse, not taking his threats seriously. Mr. Poppadowski(Willis) shows them just how serious he is. He kidnaps Sauls girlfiend(Dennings) and holds her for ransom. Demanding that Dale and Saul meet him face to face if he ever wants to see her alive again. Of course, they agree to his demands, much to the chagrin of Dale, who seems to be sure that it's a set up to get all 3 of them killed. </p><p> </p><p> Mr. Poppadowski's son(Zach Galifinakis) who wants nothing more than to impress his dad, be like him and take over the family business, is consistently shunned by his father. He never feels good enough, doesn't feel loved by his dad, is tasked with the job of guarding Sauls girlfriend(Dennings) She puts thoughts in his head that his dad doesn't love him, that he'll never be good enough, etc. Danny(Zach G.) not being the brightest bulb in the box, belives everything he's being told. He leaves his post, and manages to track down Dale and Saul before they get to his father, he warns them what his dads plan is, and offers his help. </p><p> </p><p> They're very reluctant to accept his help at first, but when he presents to them an insane amount of weapons to use against his father, they have no choice but to accept. The 3 smoke an insane amount of weed, weapon up, and head out to face Mr. Poppadowski and rescue Carley(Kat Dennings) </p><p> </p><p> A hilarious gang war ensues, and eventually Mr. Poppadowski is killed by a wild bear(Yeah, his hideout is deep in the woods). He dies in his sons arms, and hands over the business to him, telling him that he forgives him for his betrayl. As Saul, Dale and Carley escape, they go about their normal lives, happy as can be, having no clue what happened to Danny(Zach). Saul and Dale even decide to give up their life as pot dealers and get real jobs. </p><p> </p><p> In the end, 6 months later we see Danny(Zach) setting up his own criminal empire, following in his fathers footsteps, swearing revenge on Dale and Saul even it's the last thing he does. (MUWAHAHAHAHAHAHAHAHAHA)</p><p> </p><p> </p><p> </p><p> </p><p> Location- Los Angeles, CA</p><p> Budget: 7,030,000</p><p> Talent fee- 7,337,500</p><p> Production- 1,500,000</p><p> Marketing- 2,000,000</p><p> Duration - 80 Minutes</p>

We agree to all terms. To lower Bruce Willis' costs, i'm willing to give him the lead in my next movie. Also, Zach can definitely be in a supporting role within my next 6 movies, we accept that offer. We look forward to start filming

<p>Just went ahead and started anyway, If my studio couldn't secure the rights just let me know and i'll think of something new..</p><p> </p><p> Title: Pineapple Express 2</p><p> Rating: R</p><p> Genre: Comedy</p><p> Brief summary of the movie: Dale and Saul, now living together in their own L.A. apartment, are now big time weed dealers. That is until they cross paths with a big crime boss who wants a cut of their profit, and will do whatever it takes to get it from them</p><p> Amount you plan to spend on production: 1,500,000</p><p> Amount you plan to spend on marketing: 2,000,000</p><p> Main Lead: Seth Rogan (No nudity, full creative control of character)</p><p> Second Lead: James Franco (Partial Nudity, Creative control of character)</p><p> Supporting Actor: Bruce Willis (No nudity, plays the big time Crime Boss who wants a cut on their drug business)</p><p> Supporting Actor: Zach Galifianakis (No nudity, plays the crime boss son. He's a big goof who wants nothing more than to impress his dad and be like him)</p><p> Supporting Actress: Kat Dennings (No nudity, plays the girlfriend of James Franco character)</p><p> Director: David Gordon Green</p>

Wondering if you saw my proposal above?

Top Of The Mountain Productions would like to start their next picture. However, we would like to secure rights to make a sequel to a previous film. We are interested in making a sequel to Pineapple Express. We are willing to negotiate rights.

<p>Title- Deja Vu</p><p> Lead Actor- Michael Douglas (Detective Nick Hatton)</p><p> Lead Actress- Kat Dennings (Detective Emma Szymanski)</p><p> Supporting Actor- Aaron Eckhart (Police Chief Bronson)</p><p> Director - David Finch</p><p> Genre- Crime</p><p> Rating- R</p><p> Plot- After witnessing her parents murder as a child, a young woman (Dennings) decides to pursue a career in law enforcement, swearing to do whatever she can to stop this from ever happening to anyone else. She eventually becomes a homicide detective, and she's paired with the grizzly veteran (Douglas). Eventually they bond and become very close, and he becomes the father figure she never had. But he starts to notice things. Her memory loss, anger issues, her obsession with finding the man who killed her parents. He feels that it's only a matter of time before her life spirals out of control. Then, it happens. Murders start taking place, in the exact same way that her parents were murdered all those years before. After the investigation takes a turn for the worse, lead after lead goes cold, they can't find any clues to any of the murders, and then, detective Szymanski (Dennings) disappears. Her partner searches her apartment and discovers something grizzly. Police Chief Bronson (Eckhart) dead in detective Szymankis (Dennings) apartment. </p><p> </p><p> Before he can call in what he's found, detective Szymanski blindsides him, knocking him out cold. When he awakes he finds himself tied up to a chair, no way to escape. Eventually he comes to realize that detective Szymanki has a serious split personality disorder. She was the one who killed her parents all those years ago, and she was the one commiting the murders now. Eventually, he gets her to dig deep and come back to her normal self. She unties him, but the normal doesn't last long. A switch is flipped in her head and she tries to attack detective Hatton with a butcher knife, after a quick struggle, Detective Hatton finally reaches his gun, and shots Szymanski, ending the madness. He calls it in, funerals take place, End of movie. </p><p> </p><p> </p><p> Location- Pittsburgh, PA</p><p> Budget: (Total of talent + production + marketing)</p><p> Talent fee- 2,780,000</p><p> Production- 120,000</p><p> Marketing- 100,000</p><p> Duration - 95 Minutes</p>

<p>Deja Vu</p><p> </p><p> Michael Douglas</p><p> - He considers and set up a new deal: 1,840,000; 900,000 upfront.</p><p> </p><p> Current deal:</p><p> </p><p> Pre-release: 2,700,000</p><p> Post-release: 2,740,000 + 12.5%</p><p> </p><p> We accept his terms and look forward to filming</p>

<blockquote data-ipsquote="" class="ipsQuote" data-ipsquote-contentapp="forums" data-ipsquote-contenttype="forums" data-ipsquote-contentid="36553" data-ipsquote-contentclass="forums_Topic"><div>Deja Vu<p> </p><p> David Fincher(3.50 SP)</p><p> - He would like 3,000,000; 1,500,000 upfront OR 2,000,000; 1,000,000 upfront + 12.5%.</p><p> </p><p> Kat Dennings(1.25 SP)</p><p> - One main and one supporting role, that's pretty awesome.</p><p> - She would be fine with 900,000 in this one; 450,000 upfront.</p><p> </p><p> Michael Douglas(2.80 SP)</p><p> - He would like 1,960,000; 980,000 upfront.</p><p> </p><p> Aaron Eckhart(2.00 SP)</p><p> - He would like 700,000; 350,000 upfront.</p><p> </p><p> Lowest deal possible:</p><p> </p><p> Pre-release: 2,780,000</p><p> Post-release: 2,780,000 + 12.5%</p><p> </p></div></blockquote><p> </p><p> Kat Dennings and Aaron Eckharts demands seem reasonable, we accept. </p><p> </p><p> I'd like to negotiate with Michael Douglas, i'll offer him 1,750,000; 940,000 upfront</p><p> </p><p> Also, 2,000,000; 1,000,000 upfront +12.5 Is reasonable for Fincher to direct, we accept that offer.</p>

<p>Studio Name: Top Of The Moutain Productions</p><p> Founder Name(i.e. your IGN): Stephen McMurry</p><p> Studio Bonus: Negotiator</p><p> </p><p> Step One - Pre-Production</p><p> </p><p> Title: Deja Vu</p><p> Rating : R</p><p> Genre: Crime, Drama</p><p> Brief summary of the movie: An aging detective is paired with a female rookie who joined the force after seeing her parents brutally murdered years ago. Her quest for justice could lead both of them over the edge</p><p> </p><p> Amount you plan to spend on production: 1 Mil</p><p> Amount you plan to spend on marketing: 0.5 Mil</p><p> </p><p> Director: David Fincher</p><p> </p><p> Main Lead: Kat Dennings, Plays the female rookie detective, no nudity, offering supporting role in next film. </p><p> </p><p> Second Lead: Micheal Douglas. Plays the aging veteran detective, develops into a father figure, no nudity</p><p> </p><p> Supporting Role: Aaron Eckhart, Plays the chief of police, tries to do whatever he can to keep the female lead out of trouble, no nudity</p>