Black Canvas Grappling:- Defenders of Poruresu

[KnowYourEnemy]

The rest of the tour goes like this

 

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And that kids is how I ended the tour. But the best new was

 

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I actually had to grow 3 shows earlier. I had met the requirements 7 weeks before the end of the tour but didn't want to grow in the middle of the tour. I was hoping to avoid the amateur penalty. But Funakoshi'scontract came to an end and he felt he was too big to sign for us. The Finale might have been much better without the penalty.

Toshinobu Taku is leaving the company. He doesn't have much to offer now.

 

A lot of question about how I am going to continue from here.

GCG has change to a full time schedule. Should I follow them. A TV show would allow me to expand quicker but less money overall. If not, do I increase the number of shows per week to 3?

I will need 10 more wrestlers. So list the ones you want to see.

Moreover PGHW have hit National and I am expecting a raid on my company. Who all should I tie down to a written contract? Should I sign the ones loyal to me for a cheap price now? Or shall I wait.

I am expected to reach $2 mil. over the next 10 months by the owner. By the end of the month I expect my finance to go down to $1.2 mil. Should I open up a low-level local development territory now? or shall I wait and build a bigger one once the expectation is met? I personally think we should open up the company now as I don't see popularity as a big issue. The big problem with waiting is, a lot more of the workers are going to get loyal to their companies and I can no longer hire them on a dev deal.

Thinking about long-term, should we start women's wrestling once we hit national? We are currently sharing the same pool of wrestlers with PGHW and GCG. BHOTWG and WLW wouldn't say no to our wrestlers either.

I'd hold off on the Developmental Territory and switching to a non-touring schedule until the expectation is met. The CVerse has a steady supply of new workers until 2015. I wouldn't worry too much about it -- if a few guys catch your eye, you can always sign them to touring contracts and get loyalty that way and build up their experience. There is plenty of debuting Gajin talent worth considering -- notably, Logan Wolfsbaine is a great worker.

 

Women's wrestling is worth adding both on a financial and critical level. The individual workers have more in-ring prowess in general than the men and are in less demand.

 

As far as "competition" is concerned, given a year or two either GCG and/or WLW will go down the tubes -- Japan is fairly unforgiving to the "big" promotions, and the air "clears itself". At Cult, you're probably only "behind" one promotion at a time, and it is more likely to see no National Japanese promotions than two, so there isn't an urgency to expand to National.